J is for Jim Joe! Yet another pin in Jim Joe’s subway map: this tag was found on the J train platform at the Chambers Street station. There are only a few stations left on the J train (from Manhattan through several stops into Brooklyn) where we have not seen his work.
In case you have not read the story of Jim Joe, here it is: This is Jim Joe.
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Update: Jim Joe has also hit up Bowery, another stop on the J train, within the past few days.
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Seriously though: street art or bizarre guerilla marketing?
The D is not running, so take the F. The F is not running, so take the D.
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How does this affect my trip? By fucking me over completely.
True story. Taken tonight on the downtown platform at 34th street by Tamara Head.
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The man we have been calling “Blockhead” has a name—it’s RAD. We sat down with him for an interview and grilled him about the lego heads he has been posting on ads in the subway.
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For tons of photos of RAD’s work, check out his site: Raddington Falls.
Here are a couple sign alterations friends of the Subway Art Blog found underground and some interesting links worth checking out. Happy Saturday!
Ever wonder what New York was like before it was a city? Check out the Mannahatta Project.
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Photo Credit: Geoffrey
Photo Credit: Dana Perrotti. Check out Dana’s wonderful sculptures on her flickr.
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We’ve been following Poster Boy’s work since day one. Seeing his work in the subway was a major reason we felt the need to create this blog. When we heard about his book deal we were very excited—so excited, in fact, that we unknowingly announced the book before the publisher, Mark Batty. They were kind enough to send us an advance copy to talk about on Subway Art Blog.
The War of Art begins with a quote from Enter the Dragon: “The enemy only has images and illusions behind which he hides his true motives. Destroy the image and you break the enemy.”
Poster Boy wastes no time in acknowledging that the idea of a retrospective book for an artist that has been active for such a short time is absurd. He is also very forward about pointing out that this book is hypocritical because it contradicts the anti-authorship, anti-copyright, anti-consumerist ideas behind his work. He addresses all of this in the introduction: “this book is a part of the supposed medium rather than a retrospective on an artist that has been active for a meager two years.”
The book is divided into three sections; the first, called “Works on Vinyl,” is a collection of the works that made him famous: advertising alterations in the subway and beyond. It includes some work that appears on his flickr account but also a fair amount that does not. The original ads and the altered ads are juxtaposed on facing pages. This was an essential touch, because it fully illustrates the vast creativity that goes into his on-site mashup work.
A few of our favorites from this section include: a Pepsi ad that is altered to say “Corn Syrp” and a Snickers ad altered to say “Fuck the Post, Read Chompsky.” When the alterations are political, they are very strong; when they are lighthearted, they are very funny. They are also visually seamless. They remind you why he became so infamous doing this.
Just when the vinyl section gets warmed up, it seems to end. The second section of the book is “Abetments,” a portion dedicated to collaborations with and tributes to other artists. Some of the street artists Poster Boy tips his hat to include: Space Invader, Decapitator, Princess Hijab, Katsu, Booker and Keith Haring. A number of the artist’s many collaborations with Aakash Nihalani also appear in this section.
The last portion of the book is reserved for Poster Boy’s exhibition work. Large scale pieces from shows at Art Basel, the Jajo Gallery and Eastern District are featured in this section. While it is interesting to see this side of PB’s work, it seems a bit out of place. The inclusion of this work makes the book feel closer to the retrospective it says it is not.
This section also includes selections from Poster Boy’s infamous MoMA advertising hit at Atlantic Avenue – Pacific Street. This is an important part of the artist’s work, but also seems out of place in the context of this book.
In general, this book is an effective showcase of the ephemeral work of one of the most interesting, creative artists we have covered on Subway Art Blog. Its main downfall is not including more of his work. There is certainly troves more of it on flickr that could have been used. Alas, this must be another side effect of putting a book out so early in one’s artistic career.
The War of Art will be available in August on Amazon or a on bookshelf in a commercial space near you.
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Jim Joe is a graffiti artist, currently hyperactive in New York City. He has made quite a name for himself with his simple, sometimes humorous writings, especially in the Lower East Side and East Village, where his tag is ubiquitous. He first caught the attention of Subway Art Blog in February for hitting up the Essex Street station on the J train. This is our Jim Joe artist profile, which is a culmination of six months of obsessively following his work in the subway and beyond.
MEET JIM JOE
Here is what we know about him:
He is a he. We can confirm this through folks who have seen him. A few Animal NYC readers have seen him in action and commented about it in one of Animal’s articles.
One commenter said: “I SAW HIM! I was on 16th an 7th ave, he wrote, ‘My friends think I’m a fool, my friends think I’m a fool- Jim Joe’ in silver marker on a discarded couch. Then he took a picture of it and walked away.”
Another said: “I saw Jim Joe on Bleeker and Jones a few weeks ago and knew it was him after he wrote on a US Postal Service Mailbox. It was one of the best moments of my life. I took a picture of him with my cell phone. It was kind of like a celebrity siting but better because only special New Yorkers know of him. AMAZING.”
According to The Link Newspaper of Canada, Jim Joe is originally from Montreal and attended McGill University; he was featured in the Fall 2009 issue of McGill’s art magazine, Folio, in his fourth year.
He became active in New York sometime around early 2010 and has graced objects with his tag at least as far north as Columbus Circle, and as far out in Brooklyn as Bushwick and Bedford-Stuyvesant. His canvas of choice, though, seems to be the southeast area of Manhattan.
Jim Joe is unlike most graffiti artists, not only due to his style and artistic influences, but also because he has a website, a blog, a Twitter account and a publicly known e-mail address.