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Online art exhibition website Dirty Pilot has a new show up called “Map Quest.” It features subway maps painted by legendary writers like the ones above by COPE2 (left) and GHOST (right). The pieces in the show are available for purchase on the site. It will only be up until November 7th, so check it out while you can; there is some excellent work.
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We’ve been following Poster Boy’s work since day one. Seeing his work in the subway was a major reason we felt the need to create this blog. When we heard about his book deal we were very excited—so excited, in fact, that we unknowingly announced the book before the publisher, Mark Batty. They were kind enough to send us an advance copy to talk about on Subway Art Blog.
The War of Art begins with a quote from Enter the Dragon: “The enemy only has images and illusions behind which he hides his true motives. Destroy the image and you break the enemy.”
Poster Boy wastes no time in acknowledging that the idea of a retrospective book for an artist that has been active for such a short time is absurd. He is also very forward about pointing out that this book is hypocritical because it contradicts the anti-authorship, anti-copyright, anti-consumerist ideas behind his work. He addresses all of this in the introduction: “this book is a part of the supposed medium rather than a retrospective on an artist that has been active for a meager two years.”
The book is divided into three sections; the first, called “Works on Vinyl,” is a collection of the works that made him famous: advertising alterations in the subway and beyond. It includes some work that appears on his flickr account but also a fair amount that does not. The original ads and the altered ads are juxtaposed on facing pages. This was an essential touch, because it fully illustrates the vast creativity that goes into his on-site mashup work.
A few of our favorites from this section include: a Pepsi ad that is altered to say “Corn Syrp” and a Snickers ad altered to say “Fuck the Post, Read Chompsky.” When the alterations are political, they are very strong; when they are lighthearted, they are very funny. They are also visually seamless. They remind you why he became so infamous doing this.
Poster Boy's tribute to Space Invader
Just when the vinyl section gets warmed up, it seems to end. The second section of the book is “Abetments,” a portion dedicated to collaborations with and tributes to other artists. Some of the street artists Poster Boy tips his hat to include: Space Invader, Decapitator, Princess Hijab, Katsu, Booker and Keith Haring. A number of the artist’s many collaborations with Aakash Nihalani also appear in this section.
The last portion of the book is reserved for Poster Boy’s exhibition work. Large scale pieces from shows at Art Basel, the Jajo Gallery and Eastern District are featured in this section. While it is interesting to see this side of PB’s work, it seems a bit out of place. The inclusion of this work makes the book feel closer to the retrospective it says it is not.
This section also includes selections from Poster Boy’s infamous MoMA advertising hit at Atlantic Avenue – Pacific Street. This is an important part of the artist’s work, but also seems out of place in the context of this book.
In general, this book is an effective showcase of the ephemeral work of one of the most interesting, creative artists we have covered on Subway Art Blog. Its main downfall is not including more of his work. There is certainly troves more of it on flickr that could have been used. Alas, this must be another side effect of putting a book out so early in one’s artistic career.
The War of Art will be available in August on Amazon or a on bookshelf in a commercial space near you.
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Ramin Talaie is an Iranian born freelance photojournalist based in Brooklyn. He has been shooting the subway for a long time and about 4-5 years ago, started a body of work he calls “Trainspotting.” For this project, he documents subway life in photos. “For me it is full of interesting subjects and places to document. I always carry my camera and look for a new photograph,” said Ramin on his inspiration for Trainspotting.
Here is our interview with Ramin:
What is your process. Do you hide your camera? What is your inspiration?
I use pro digital SLRs, so it is not easy to hide my camera, but I try to be as covert as possible. I am always ready, if I see something I take a quick photo and put the camera away. My inspiration is everything. Everything you see in the subway: different looking people, someone sleeping, even an empty car.
Does anyone ever react to you photographing them?
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Do you have any fun or interesting stories from the subway?
I have photographed the old City Hall station, directly under the City Hall. I also photographed the 100th anniversary of the subway system where the MTA had old cars in service for one day. A few years back I rode one of the last Red Birds cars during a special ceremony before they were taken out of service and used as artificial reefs. I have also seen a number of accidents and emergencies which seems to be inevitable with millions of riders in NYC.
Visit Ramin’s website here and keep an eye on Subway Art Blog for more images from Trainspotting!
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Right along side the mustaches and blacked out teeth, you will commonly find religious markings in the subway. Below is a collection of photos documenting this godly graffiti. Photos by Gina Erdmann, Halston Bruce, Jack Katsman and myself. The viagra uk delivery process of regular ovulation is essential for pregnancy and anything that disrupts the female reproductive cycle may result in ovulatory dysfunction. Other than this, there are pellets, injections, prosthetic implants and, viagra 50 mg last but not least, surgery. Drug therapy provides some symptom relief but requires a daily cheap levitra generic videoleadspro.com commitment to medication, is costly and likely to fail over time. Some may not cialis shipping be able to deal with such issues, there are lot many options also available in the form of liquid.
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