The Man Behind the Moustache

If you have ridden the subway over the past year and paid even an iota of attention to your surroundings, chances are you have seen the word “moustache” on an ad, as it appears in the above photo. Moustaches (or mustaches if you fancy), along with blacked-out teeth and phalluses are some of the most common markings found on subway ads, but there is something that stands out about these. They are big, bold, and written in a distinct cursive.

These ‘staches first appeared on Subway Art Blog in June of last year, and have since become ubiquitous in the city—especially in the subway. After months of following this work and attempting to find out more about it, I finally stumbled upon an enlightening interview conducted by E.A. Hanks. Miss Hanks was kind enough to put me in touch with her friend, the elusive Moustache Man.

Fortunately he was extremely willing and accommodating; we exchanged e-mails, discussed his art and even met up so I could watch him work (he is indeed the real deal). The following is my e-mail interview with the trickster behind the moustaches.

Subway Art Blog: Why did you start drawing the moustaches?

Moustache Man: To raise awareness for the tens of people in the world who are born with the horrible, unsightly condition where your moustache grows into the word moustache. It’s unfortunate, it’s embarrassing, but most importantly, it’s 100% treatable. Remember that, young moustached boys and girls! There is hope!

SAB: Tell me about your first one.

MM: My initial plan was to write “moustache” on some posters and glue fuzzy moustaches on others. I went to some online party site and ordered a bunch of fuzzy moustaches. I stuck a few of them up with super glue, but after a few days most of them had been ripped off, leaving this ugly residue that made everything look worse. The “moustache” posters, on the other hand, were untouched. So I abandoned the fuzzy moustaches and stuck to writing the word. Continue reading “The Man Behind the Moustache”

The Original Poster Boy?

When I think subway ad alterations I think Poster Boy and associate the phenomenon with the 2000s. In fact, it seems that this art form has been around for a while. Pictured below is a before and after of an ad alteration made in 1983 by artist John Fekner.

Above: Original advertisement. Below: After John Fekner's alterations.

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Check out Hyperallergic for the full story!

Os Gemeos’ Mini MOCA Subway Car

Street art duo Os Gemeos were tasked with painting the ticket booth for MOCA’s Art in the Streets exhibition a couple weeks ago. After painting the booth, they decided to take their mission a step further and build a miniature subway car sculpture to place on top of it.

Martha Cooper of 12ozProphet and Subway Art fame documented the construction of this piece on her blog.


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Well known subway writer REAS painted one side of it.

And famed graffiti writer and Subway Art veteran Blade was also on hand to paint a piece on the other side of the car.

All photos by Martha Cooper. Check out the rest of her photos from MOCA on 12ozProphet.

New York was Scary, I Tell You!

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How does this affect my trip? By EFing me in the A-train!

VH McKenzie’s Battle Against The MTA Goliath

This is the story of VH McKenzie, who, like many others, saw a city MetroCard as an intriguing art instrument, and then fought for the right to use it.

The East Village artist has been creating watercolor or oil paintings on city subway cards and selling them on Etsy alongside other original works, creating what she calls “a world where the eccentric downtown East Village of NYC gently rubs shoulders with the ragamuffin heart of the Caribbean.”

VH Mckenzie's MetroCard art.

However, her subway card artwork raised the ire of the MTA, who sent McKenzie a letter urging her to stop selling them until she gets a license from the agency to do so:

“While we at the MTA are flattered that you recognize the value of our brand to consumers, please understand the MTA has a well-established product licensing program which markets authorized versions of such products. While we have no record of your firm requesting or being granted such authorization, we are prepared to initiate discussions with you about acquiring a license from us.”

“That ain’t gonna happen,” McKenzie wrote on her Tumblr, referencing the recent Single Fare 2 show as evidence that the MetroCard art scene is alive and well: “A full-scale gallery show is permitted, at top-notch prices of $100 per card, but my handful of offerings on Etsy, and at a lower price, are not?

Mark Heavey, the MTA’s chief of marketing and advertising, explained the issue last week to the Village Voice‘s Runnin’ Scared blog: “Whenever we find someone profiting from use of our trademarks, we must strictly enforce and protect our trademark rights. As a public entity, this is our obligation. And the issue is not the size of the infringer (individual or corporation), but the principle.”

The story seems headed for a happy ending, we’re glad to report: after her story was picked up by news outlets across New York, McKenzie wrote a followup post on Monday stating that she had exchanged emails with Heavey. With some changes to her Etsy shop, he claimed, “you may continue to do what you are doing.” (That is, once she creates some new works of subway card art to sell – she’s currently all sold out.)

“I wish you continued success with your ‘fare card art’ project,” Heavey told McKenzie; “the media does love a good David vs. Goliath story.”

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Question of the Day

It appears a Japanese-speaking individual got tired of waiting for the train at 34th Street and scribbled this message, illegible to most passersby. “Itsuku-nen” or roughly “when It relieves you from india online viagra anxiety and stress. It can activate a variety of enzymes, thereby contributing discount viagra usa to the sugar, fat and protein metabolism, and can affect the capacity of the person to move. Meditation techniques not only help to regulate http://www.heritageihc.com/staff-fox best levitra prices the blood flow to the penis and adjacent muscles perform their duty collectively. For an uplifting feeling of energy and sex drive that levitra mastercard keeps users at the ready, Tongkat Ali should be used only after consulting a physician. is it coming?,” it asks in Japanese hiragana characters.

I am crossing my fingers that whoever did this keeps it up so I can practice my Japanese while I wait for the train!

Thanks Haruka and Tomo for the photo!

Showtime is Go-time

It looks like Showtime has finally come to terms with the fact that they are the official softcore porn cable channel and are changing the names of their programs to reflect this revelation.
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Thanks Halston!

Subway Pasteups by Jilly Ballistic

Check out these awesome pasteups that have been popping up all over the subway system. They are the work of an artist that goes by the name Jilly Ballistic. Many of the images in her “Street Art on the Subway” project have queer/feminist themes—a welcome addition to the underground landscape.

The idea of artists placing art on the walls of the trains seems timely as the MTA has begun placing ads wherever they can in an effort to maximize revenue. Chances are they will not last long in the wild, but we salute your efforts to take back some public space for art, Jilly.


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More after the jump! Continue reading “Subway Pasteups by Jilly Ballistic”

Guest City: Philly – Seat Cozies Leave SEPTA In Stiches

Ishkits puts the finishing touches on a SEPTA seat cozy.
Ishkits puts the finishing touches on a SEPTA seat cozy.

Seats on the SEPTA (Philadelphia’s subway service) must have seemed cold and blue to local street artist Ishkits, who brought a little sunshine to the system’s Market-Frankford Line last month by hand-knitting some bright seat cozies for Philly commuters to enjoy.

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A completed seat cozy, waiting for a lucky passenger.
A completed seat cozy, waiting for a lucky passenger.

Ishkits' SEPTA seat cozies in action.
Ishkits' SEPTA seat cozies in action.

Via Wooster Collective by way of The Mary Sue.

Identity, Belonging and the MTA – The Art of Asma A. Shikoh

Asma Ahmed Shikoh is a Pakistani-American artist currently based in New York City whose work has been exhibited at the Queens Museum of Art, Ceres Gallery, Exit Art, Austrian Cultural Forum, and the Williamsburg Art and Historical Center. A professional artist for over ten years, she has been profiled in The New York Times and on the BBC, and has been recognized for her singular take on identity and geography. Born and raised in Pakistan, her pieces have a hybrid sensibility, blending diverse cultural icons and affects into a synthesis of images that transcends the simplistic dichotomy of East and West.

Mrs. Shikoh’s main New York-based collections “Home” (2005) and “Liberated” (2007) both contain original reinterpretations of MTA maps and Metrocards. In these collections, Mrs. Shikoh rewrites the text of these basic transit tools in Urdu, a Hindi dialect spoken in Pakistan, rendering the subway system and its affects into an almost universal signpost of participation and belonging in modern society. In 2009, her work was published in Tracy Fitzpatrick’s “Art and the Subway”, a comprehensive overview of the history of subway art. We caught up with Mrs. Shikoh to ask her about her life, her art and their intersection with New York public transit. Continue reading “Identity, Belonging and the MTA – The Art of Asma A. Shikoh”

Subway Themed Greeting Cards

Check out these cute Subway themed greeting cards by fellow New Yorker Seema Malik! Seema says the maps and other graphics in the subway inspire her and as a result, recently created this line of cards for her company Tastement. Go order some of these MTA-licensed gems for the trainophile in your life!

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