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The Man Behind the Moustache

If you have ridden the subway over the past year and paid even an iota of attention to your surroundings, chances are you have seen the word “moustache” on an ad, as it appears in the above photo. Moustaches (or mustaches if you fancy), along with blacked-out teeth and phalluses are some of the most common markings found on subway ads, but there is something that stands out about these. They are big, bold, and written in a distinct cursive.

These ‘staches first appeared on Subway Art Blog in June of last year, and have since become ubiquitous in the city—especially in the subway. After months of following this work and attempting to find out more about it, I finally stumbled upon an enlightening interview conducted by E.A. Hanks. Miss Hanks was kind enough to put me in touch with her friend, the elusive Moustache Man.

Fortunately he was extremely willing and accommodating; we exchanged e-mails, discussed his art and even met up so I could watch him work (he is indeed the real deal). The following is my e-mail interview with the trickster behind the moustaches.

Subway Art Blog: Why did you start drawing the moustaches?

Moustache Man: To raise awareness for the tens of people in the world who are born with the horrible, unsightly condition where your moustache grows into the word moustache. It’s unfortunate, it’s embarrassing, but most importantly, it’s 100% treatable. Remember that, young moustached boys and girls! There is hope!

SAB: Tell me about your first one.

MM: My initial plan was to write “moustache” on some posters and glue fuzzy moustaches on others. I went to some online party site and ordered a bunch of fuzzy moustaches. I stuck a few of them up with super glue, but after a few days most of them had been ripped off, leaving this ugly residue that made everything look worse. The “moustache” posters, on the other hand, were untouched. So I abandoned the fuzzy moustaches and stuck to writing the word. Continue reading “The Man Behind the Moustache”

The Original Poster Boy?

When I think subway ad alterations I think Poster Boy and associate the phenomenon with the 2000s. In fact, it seems that this art form has been around for a while. Pictured below is a before and after of an ad alteration made in 1983 by artist John Fekner.

Above: Original advertisement. Below: After John Fekner's alterations.

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Check out Hyperallergic for the full story!

Os Gemeos’ Mini MOCA Subway Car

Street art duo Os Gemeos were tasked with painting the ticket booth for MOCA’s Art in the Streets exhibition a couple weeks ago. After painting the booth, they decided to take their mission a step further and build a miniature subway car sculpture to place on top of it.

Martha Cooper of 12ozProphet and Subway Art fame documented the construction of this piece on her blog.


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Well known subway writer REAS painted one side of it.

And famed graffiti writer and Subway Art veteran Blade was also on hand to paint a piece on the other side of the car.

All photos by Martha Cooper. Check out the rest of her photos from MOCA on 12ozProphet.

Subway Pasteups by Jilly Ballistic

Check out these awesome pasteups that have been popping up all over the subway system. They are the work of an artist that goes by the name Jilly Ballistic. Many of the images in her “Street Art on the Subway” project have queer/feminist themes—a welcome addition to the underground landscape.

The idea of artists placing art on the walls of the trains seems timely as the MTA has begun placing ads wherever they can in an effort to maximize revenue. Chances are they will not last long in the wild, but we salute your efforts to take back some public space for art, Jilly.


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More after the jump! Continue reading “Subway Pasteups by Jilly Ballistic”

Guest City: Philly – Seat Cozies Leave SEPTA In Stiches

Ishkits puts the finishing touches on a SEPTA seat cozy.
Ishkits puts the finishing touches on a SEPTA seat cozy.

Seats on the SEPTA (Philadelphia’s subway service) must have seemed cold and blue to local street artist Ishkits, who brought a little sunshine to the system’s Market-Frankford Line last month by hand-knitting some bright seat cozies for Philly commuters to enjoy.

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A completed seat cozy, waiting for a lucky passenger.
A completed seat cozy, waiting for a lucky passenger.

Ishkits' SEPTA seat cozies in action.
Ishkits' SEPTA seat cozies in action.

Via Wooster Collective by way of The Mary Sue.

Identity, Belonging and the MTA – The Art of Asma A. Shikoh

Asma Ahmed Shikoh is a Pakistani-American artist currently based in New York City whose work has been exhibited at the Queens Museum of Art, Ceres Gallery, Exit Art, Austrian Cultural Forum, and the Williamsburg Art and Historical Center. A professional artist for over ten years, she has been profiled in The New York Times and on the BBC, and has been recognized for her singular take on identity and geography. Born and raised in Pakistan, her pieces have a hybrid sensibility, blending diverse cultural icons and affects into a synthesis of images that transcends the simplistic dichotomy of East and West.

Mrs. Shikoh’s main New York-based collections “Home” (2005) and “Liberated” (2007) both contain original reinterpretations of MTA maps and Metrocards. In these collections, Mrs. Shikoh rewrites the text of these basic transit tools in Urdu, a Hindi dialect spoken in Pakistan, rendering the subway system and its affects into an almost universal signpost of participation and belonging in modern society. In 2009, her work was published in Tracy Fitzpatrick’s “Art and the Subway”, a comprehensive overview of the history of subway art. We caught up with Mrs. Shikoh to ask her about her life, her art and their intersection with New York public transit. Continue reading “Identity, Belonging and the MTA – The Art of Asma A. Shikoh”

Photos from Single Fare 2

Single Fare opened earlier tonight and drew a huge crowd at the reception. The total number of works displayed clocked in at over 2000 this time around. Many artists that contributed last year did so again this year and of course, there were many newcomers. There were even a few pieces by Subway Art Blog featured artists such as Thomas McKean.

Here is a gallery of some of my favorite works from my first trip to the exhibition. These photos do not even scratch the surface. Go check out the gallery for yourself while you can!
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Please note: some of the images might not be appropriate for younger audiences.

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Wearable MetroCards

Andy Padre first caught our attention with his MetroCard-covered bicycle last year. Ever since his initial creation he has been making accessories with the medium and wears them to events such as Coney Island’s annual Mermaid Parade. Check out some of our favorites!

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Andy and fellow transit blogger Bitchcakes!

All photos courtesy Andy Padre!

MetroCard Collages by Nina Boesch

How many things could you possibly do with a 2 inch x 3.25 inch piece of plastic that has a single intended purpose? This a question I ask myself over and over while performing research for Subway Art blog. Of course I am talking about about the ubiquitous MetroCard. Just when I think I have seen everything that could be done with them, an artist like Nina Boesch hits one right out of the ballpark of my imagination.

Nina is a Manhattan-based graphic designer and artist. When she is not arranging pixels on the computer screen, she is arranging physical pixels made out of chopped up MetroCards and turning them into the mosaic-like collages you see in this post.

Nina started making these collages 10 years ago, initially as gifts for friends and family, but more recently has created them for gallery exhibitions and art fairs. She also accepts commissions for custom collages on her website. The site even includes an interactive feature to generate a MetroCard collage of yourself. Just upload a photo!

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Many more after the jump! Continue reading “MetroCard Collages by Nina Boesch”

Single Fare 2: Please Swipe Again

Single Fare 2 submissions by Alyssa Monks

Subway Art Blog is pleased to announce that there will be a second “Single Fare” MetroCard art exhibition opening this Thursday. Last year, Single Fare started off with a bang, including over 700 mini artworks by artists from around the world. This year should be no different. The founders Jean-Pierre Roy and Michael Kagan suspect the number of works might hit the thousands and are collaborating with Sloan Fine Art this time around which made it possible to add more exhibition days and gallery hours.

The beauty of this show is that it is as democratizing as the subway itself. They will be exhibiting all works submitted, and each will be sold (if the artist wishes to sell) for the same amount of money–just like the MetroCards bearing the art.

Single Fare 2: Please Swipe Again

Opening Reception: Thursday, March 17th, from 5 to 9 pm
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Gallery Hours: Noon to 6pm (Closed Monday & Tuesday)

Sloan Fine Art
128 Rivington Street
New York, NY 10002

Official Single Fare Website

Podcast – Jason Eppink Interview

[podcast]http://subwayartblog.com/podcast/Jason-Eppink-Interview.mp3[/podcast]
Direct Download

If your sex life is declining due to your nonperformance during sexual intercourse, then maybe you are not familiar with generic levitra Click This Link the benefits offered by many an online pharmacy. Fiber: An samples of viagra eating plan plan roughage wealthy (whole grains, fruits and vegetables) are responsible to keep our bodies cleansed and detoxed. The 3rd group with high fat, high calories and resveratrol had no symptoms of heart disease or stroke is mostly caused due to diabetes. generic levitra online next Erection created coming from buying viagra in usa your medicine stays regarding ample period connected with date i.e. Jason Eppink is a seasoned subway art veteran with several projects under his belt including: the pixelator, the pro-pants movement, spoiler alert signs and also had work installed in the underbelly project.

Pixelator from Jason Eppink on Vimeo.

The Shadow Machine from Jason Eppink on Vimeo.